The denizens of 53.5° north latitude welcome you to the weekly blog. Or at least, I welcome you. It was a quiet week, with two new beers and one book finished. There was a lot of music listened to, but I want to get through it all one more time before I make any comments, so we will leave that for next week.
Let's get on with it, shall we?
Racism is ugly, dehumanizing, terrible. Reading about racism is difficult. Owning up to racist comments or actions is gut-wrenching. But talking about racism is absolutely necessary.
It is easy for us Canadians to talk about how terrible things are in the US, with their overtly racist President who presided over them for four years, and how many of their policies and actions are specifically designed to demean black people. So when I read this week's book, Book #3 for 2021, Professor Eddie S. Glaude Jr.'s "Begin Again: James Baldwin's America and its Urgent Lessons for our Own", I tried to reflect on what his book about America says about how Canada has historically, and presently, treats the Indigenous people.
Glaude talks about how the insistence of whites to be included in the future is ridiculous, given that they have never been EXcluded before. The insistence of expecting gratitude for providing rights and freedoms to black Americans is revolting, given that the black people should never have had those right and freedoms stripped from them in the first place. In Canada, this is reflected in how we have parceled out tiny bits of land for the Indigenous peoples and expected them to be happy that we gave them anything at all.
Glaude also talks about the need for truth and reconciliation, but how important it is that we know and speak the truth before we can reconcile. I was in my mid-thirties before I even HEARD the term "residential school", but at least in Canada we have started to speak the truth to what we have done. "Begin Again" highlights the lie and illusion of The American Dream and The Promised Land, both of which hide the truth of the racism in America.
The cries of "what about us" and "all lives matter" from whites underscores how distorted the racist view is. It is not that ONLY black lives matter, it is that THEY NEVER HAVE MATTERED in the eyes of so many people. The same could be true about how Indigenous people are viewed in Canada. As Glaude puts it:
... as if talking about a living wage and healthcare as a right, or affordable education, or equal pay for women, or equal rights for the LGBTQ community, or a fair criminal justice system, somehow excludes working-class white people.
Later in the book, Glaude discusses how Trump fits in to today's conversation about race and equality. The important point is that Trump "and his ideas are not exceptional." In other words, admit that America is racist. Admit that this hatred and demeaning of an entire population is a founding principle of America. Trump and "the people who support him are just the latest examples of the country's ongoing betrayal" of the promise of a true and equal democracy.
In Canada, the discussion a few years ago about what to do with the statues of Canada's first Prime Minister, Sir John A. MacDonald, pointed out the brutality and cruelty of pretty much every white person in the mid 1800's. This article highlights some of the amazing and awful things done in the name of progress in Canada's earliest days. We are not much better than our neighbors to the south.
I encourage you to read this book, whether you are an American looking to understand your country, a Canadian looking to understand yours, or just someone trying to understand the world in order to start the work in building a better world.
Baldwin's words that Glaude used to title his book are the signal we need. It is not about looking in the past to demonize or glorify, but rather to look to the future and to Begin Again.
It was a decent week for riding. The time in the saddle is increasing, even as the distances decrease. Colder weather means slower speeds. Earlier this morning I went out for a one-hour ride in the -19° C weather and only averaged 15.7 km/hr due to the cold temperature. However, getting out a few times in the cold is more psychologically bolstering than it is a cardio boost.
I was able to complete the segment to Clearwater, B.C. Looking up interesting information on Wikipedia did not reveal too much, which is not surprising given the municipality only became official in 2007 and there are just over 2,000 people there. The one fact of note is that the hospital is named after John Sebastian Helmcken, a physician and politician that was key to negotiating British Columbia's entry into the Dominion of Canada in 1871.
Below is the updated image of my progress. I am unlikely to make it all the way to Blue River in this upcoming week, but Valemount (with a U) beckons in the distance.
Two new beers this week, one a pleasant surprise and one a disappointment. I will highlight the pleasant surprise first.
Beer #717 was the Lemon Lavender Radler from Yukon Brewing. Yukon is a brewery that I should pay more attention to. This radler was fantastic and I really, really liked it. It was sweet but not cloying, had nice citrus without the pith, and a smooth taste that was very refreshing. It was the highest rated beer in a long time. (4.0 / 5)
If I were asked to bet last week which beer I would like more before trying these, I would have swapped things around. Lemon and lavender does not sound that appealing to be honest, and the previous drinks from Fallentimber were all really good. Beer #718 was their Hopped Mead. I thought it tasted a bit burnt, and was not nearly as good as their other meads. I also realized that I have never checked in their Meadjito which is superb, so I will buy that again to grab a photo and a checkin. Not every product from a brewery, or in this case a meadery, is going to be perfect of course. One low rating should not take away from how good the rest of their product is. (3.0 / 5)
I will close out this week's entry with a few new words, most of which are from my ongoing catch-up of the words I flagged in 2020 as I read "War and Peace".
Greetings from a slightly colder than usual 53.5° north latitude. It is not cold enough for the entire day to stay cold, but that is likely not far into the future. However, it is cold enough that bigger gloves or mitts are required for early morning rides. Riding at -5 C without good gloves or mitts is a very painful experience.
Beyond a few rides which I will give an update on below, a number of good listens and views, there was a great gaming experience this week, and two new beers. Let's jump in to the gaming story first.
If you look up role-playing on Wikipedia, the article branches into the various types of role-playing and then provides this definition for role-playing games, or RPGs:
A role-playing game is a game in which the participants assume the roles of characters and collaboratively create stories. Participants determine the actions of their characters based on their characterisation, and the actions succeed or fail according to a formal system of rules and guidelines. Within the rules, they may improvise freely; their choices shape the direction and outcome of the games. --Wikipedia
The key concept is that the story is created collaboratively. The Game Master needs to be in charge at least to keep the game following within the prescribed rules, but the actual story that is created is the responsibility of everyone involved. As a GM, I think the key is to provide lots of options for the players and to be prepared enough to be flexible if the players do something unexpected. It is important to be prepared but to not let that preparation narrow your options. Having a series of encounters that your players must do in order at a prescribed time is a recipe for either frustrated players or for you to be unable to proceed because you are not prepared.
In our recent session this week, the party needed to travel and I had three potential encounters planned. The first one was with a travelling merchant. I knew there would be nothing exchanged beyond information, but I was hopeful that the players would engage as there was one bit of flavor and information I wanted to get across. The second encounter was completely optional and I tried to describe it in a way that they would not be forced to engage with it. They ended up doing what I hoped they would because I was able to give them a reward that will be useful. To that point in our session, we had two encounters that were engaging and I think memorable. I was struggling though because both encounters went exactly how I thought they would, and that made me feel like I was railroading them. In the parlance of the game designers I follow online, I felt like I was taking away player agency.
This concern of taking away player agency was weighing on me because the third encounter was one that regardless of how the rest of the session had gone I needed the players to have. This encounter was really like a Talking Notice Board that tells the players "You are hereby requested to go do such-and-such and then report over yonder." There is nothing wrong with this of course, as long as the players feel they can do something other than mindlessly follow the orders of the Talking Notice Board.
It might have been a reaction from the players against two encounters that they felt they had to engage with, but their reaction to the Talking Notice Board was one of sarcastic enthusiasm. "Yes, sir, right away sir." "We'll be sure to do that right away, nudge, nudge, wink, wink."
And so they did not report in. They might check in during the next session, but for this week, they completely ignored the "request". They instead went for a drink and a meal and then proceeded to find a room at the fleabag inn instead of the nice place I assumed they would stay at. This resulted in three fabulous role-playing sessions, one with each player. A new ally was found, a super reward was given to the party, and a really touching story was created.
I am really glad my first two encounters went the way they did, but I was prepared for the players to not engage with either. Our collective story would not have suffered if those encounters were ignored, but the world is more alive and the players have more knowledge about how to act and react as a result of both. However, when we look back at the game, we will see that the moments with the player agency at its most free were the ones that will have the most impact on the long-term story we are creating. That required preparation on my part, but in a much different way than the scripted set pieces I created.
The last thing I will say about our game is that in a three hour session I rolled dice exactly zero times. It was completely role-playing and I all I had to do was talk. And laugh, and smile, and have fun.
There were a few good music finds this week. The first album was Lucinda Williams' "Live @ The Fillmore", which was released in 2005, and was a recording from a 2003 concert. (It would be great to see a concert at The Fillmore!) (It would be great to see a show anywhere!). This album was 22 songs over two volumes and was filled with Williams' gravelly singing. Volume 2 was that the better of the two, in my opinion, with great versions of Atonement, Pineola, Righteously, and others. Her voice really shone on Volume 2.
Switching gears completely, the second album was Massenet's opera, Thaïs. I have switched my weekend radio listening recently, and am really enjoying getting back into "Saturday Afternoon at the Opera" on CBC. Host Ben Heppner does a great job of helping listeners like me understand the story and the music.
Last up this week was a single called "Who's Gonna Stop Me". This was a collaboration between Portugal, The Man, and Weird Al Yankovich. It was a good song, but I have to admit I probably listened to it much more intently just because of Weird Al's inclusion. I am not saying that it is not a good song, but I do feel I would have given it less of a listen if Weird Al was not part of it.
The other music item this week was a great interview on Tidal with Chuck D. This might have been the first interview I have seen with Chuck D. I enjoyed his stories especially the one about how Jam Master J convinced Chuck D to become a recording artist. The best part though were two quotes that really made me think.
The first quote was Chuck D quoting Bruce Lee.
"I cannot teach you. I can only help you explore yourself." --Chuck D quoting Bruce Lee
The insight in that quote is enormous. The power to change and to grow is in you and you alone. There is no magic potion or methodology or drug or app that can teach you to grow as a person if you do not want to grow.
The second quote was even more powerful, and I think this is something that I can empathize with and work to change, but I think it is impossible for me to really understand it being a white man. All I can do is listen and support.
If you black, it's the side you on versus the side that hates you. --Chuck D
Great stuff from a musical legend.
I closed off a couple segments on the way to Campbell River on my virtual cross-Canada tour. I need to pick up my pace a bit. At this rate, it will take me four years to finish the trek.
Two new beers this week. Both were good, but neither were great. Beer #691 was the Galactic Space Dragon IPA from Odin Brewery Company. This had some good pineapple citrus juiciness, not much hops, quite hazy. Tasty but would have liked more hops. (3.5 / 5)
Beer #692 was the Earl Grey Wheat from Collective Arts. I am a big fan of Collective Arts, so this one was a bit of a disappointment. This could have been a really interesting take on witbier but it was pretty bland. It was refreshing though, just nothing spectacular. (3.0 / 5)
Greetings once again from 53.5° north latitude. It was a quiet week, at least in terms of relevance to a weekly blog. Lots of reading but nothing finished, three new beers, and no new words.
Of more importance than anything else this week, there continues to be significant discussion about racism, injustice, and police violence. There was a really powerful op-ed in the last Saturday's LA Times written by Kareem Abdul-Jabbar, titled "Don’t understand the protests? What you’re seeing is people pushed to the edge". The imagery Abdul-Jabbar evokes is staggering. The massive pain and anger caused by not just (just, that's quite the word) a single death, but of generations of systemic racism. The disproportionate impact of COVID on black communities. The concerted efforts to stop black from voting.
Because you realize it’s not just a supposed “black criminal” who is targeted, it’s the whole spectrum of black faces from Yonkers to Yale.
That op-ed is not the only commentary we are receiving. Media organizations here at home are helping communicate that this isn't an issue just for the US to deal with; we have ample problems right here.
CKUA (Disclaimer: I serve on the CKUA Board) is supporting the black and indigenous communities on air. I heard Leeroy Stagger voice his support on his weekly show on Saturday, and on Tuesday CKUA paused their "online presence for the day so that meaningful real-world conversations can take place about race, unity and healing." The commercial radio stations are also contributing to the conversation with sixty second spots highlighting the importance of standing up and confronting racism and injustice and being an ally. (One I heard was unfortunately diminished in impact as it was followed by an ad for a windshield repair firm purporting that they provide an essential services during the pandemic. But it is a start.)
Is it possible that something will finally change? Have these issues finally reached enough minds and hearts to actually affect change. I hope so and will commit to doing more to help in any way I can, even if this isn't something that keeps its momentum.
The three beers I mentioned at the start of this entry are actually a beer and a cider from Collective Arts and a beer from a collaboration of two Alberta breweries.
From Collective Arts, I had their Local Press cider and their Audio / Visual Lager. The cider was crisp and clean cider and very easy drinking. (3.75 / 5) The lager was well put-together but wasn't particularly memorable. (3.25 / 5). Even with that last comment, I want to highlight how good a brewery Collective Arts is. I bought eight singles from Collective Arts at the start of this COVID era and am now finished the lot. I had a few misses, but for the most they were all very solid offerings. My ratings for those eight averaged over 3.6 out of 5, and overall the fourteen beers I have had of theirs average 3.7 out of 5. I would have to download the stats from Untappd and do some proper analysis, but from these numbers I am confident that Collective Arts is one of my top three brewers.
The other beer I tried this week was the Beautiful Apex Hermoso Mexican Hot Chocolate Stout collab between Apex Predator and Ol' Beautiful Brewing. I just couldn't get into this one. I don't think it was badly done, but it just wasn't my thing. (3.0 / 5) I know spicy chocolate is supposed to be a thing, but I have never liked it.